{"id":598,"date":"2024-05-31T07:33:56","date_gmt":"2024-05-31T07:33:56","guid":{"rendered":"https:\/\/beta.strategikon.gr\/?page_id=598"},"modified":"2024-05-31T10:34:23","modified_gmt":"2024-05-31T10:34:23","slug":"about","status":"publish","type":"page","link":"https:\/\/beta.strategikon.gr\/index.php\/about\/","title":{"rendered":"About"},"content":{"rendered":"\n<p><strong><em>Filmicon: Journal of Greek Film Studies<\/em><\/strong>&nbsp;is a bilingual (English and Greek), peer-reviewed, open-access, online journal edited primarily by independent scholars and published by \u2018<a href=\"http:\/\/www.eurasiabooks.gr\/\">Eurasia Publications<\/a>\u2019, Athens. It aims:<\/p>\n\n\n\n<ol class=\"wp-block-list\">\n<li>To provide a forum for exploring the diverse aspects of Greek film, television and audiovisual culture from a wide range of approaches and methodological standpoints.<\/li>\n\n\n\n<li>To situate the Greek experience in broader international and transnational contexts with particular emphasis on diasporic, European, Mediterranean and Balkan perspectives.<\/li>\n\n\n\n<li>To encourage intertextual, cross-cultural and interdisciplinary readings.<\/li>\n<\/ol>\n\n\n\n<p>The emphasis on the Greek case does not mean that\u00a0<strong><em>Filmicon<\/em><\/strong>\u00a0is not concerned with other national cinemas or issues related to Film and Media Studies that move beyond national frames. So\u00a0<strong><em>Filmicon<\/em><\/strong>\u00a0is keen to publish material dealing with theory, history, criticism and aesthetics of film, television and media in general.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n","protected":false},"excerpt":{"rendered":"<p>Filmicon: Journal of Greek Film Studies&nbsp;is a bilingual (English and Greek), peer-reviewed, open-access, online journal edited primarily by independent scholars and published by \u2018Eurasia Publications\u2019, Athens. It aims: The emphasis on the Greek case does not mean that\u00a0Filmicon\u00a0is not concerned with other national cinemas or issues related to Film and Media Studies that move beyond&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-598","page","type-page","status-publish","hentry"],"wpmagazine_modules_lite_featured_media_urls":{"thumbnail":"","cvmm-medium":"","cvmm-medium-plus":"","cvmm-portrait":"","cvmm-medium-square":"","cvmm-large":"","cvmm-small":"","full":""},"categories_names":null,"comments_number":"0","_links":{"self":[{"href":"https:\/\/beta.strategikon.gr\/index.php\/wp-json\/wp\/v2\/pages\/598","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/beta.strategikon.gr\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/beta.strategikon.gr\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/beta.strategikon.gr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/beta.strategikon.gr\/index.php\/wp-json\/wp\/v2\/comments?post=598"}],"version-history":[{"count":2,"href":"https:\/\/beta.strategikon.gr\/index.php\/wp-json\/wp\/v2\/pages\/598\/revisions"}],"predecessor-version":[{"id":626,"href":"https:\/\/beta.strategikon.gr\/index.php\/wp-json\/wp\/v2\/pages\/598\/revisions\/626"}],"wp:attachment":[{"href":"https:\/\/beta.strategikon.gr\/index.php\/wp-json\/wp\/v2\/media?parent=598"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}